My practice is deeply rooted in material. I am hands on; pressing, moulding, sanding. I know a piece is finished by touch, not by sight.
Sonia Laurent-Evans
Based between East Sussex and Northern France, Sonia Laurent-Evans uses her work to explore her thoughts about architecture, decoration, and cultural identity. Her mixed media wall pieces are made using plaster relief technique. They are minimal in colour yet expressive in form and surface texture.
Each artwork starts life as a relief sculpture carved in clay. This is used to create a mould, into which plaster is poured and left to set. Once the cast is dry and removed from the mould, it is ready to be finished. This process “comes from the soul” describes Laurent-Evans. “I choose to leave my sculptures unpainted, sometimes with just a touch of silver leaf. It is the texture of the surface that makes them sing.”
Sonia Laurent-Evans (b. 1982) lives and works between Folkestone, UK and Lille, France. She has exhibited widely both within the UK and internationally.
“I seek to paint sprawling, vast landscapes. Internal and external. Familiar and foreign.”
Chloe Moreton
Chloe Moreton is a contemporary British artist who specialises in landscape oil paintings. Enamoured by folk tales, Moreton’s works walk the line between lived memory and dreamlike fantasy, with an altogether contemporary twist.
Painted on antique or repurposed paper, her landscapes are often punctuated with fine ink scrawls of envelopes, letters and diary entries. “I’m fascinated by the stories of found objects, especially ones with writing on” explains Moreton. “Though removed from their original context, these fragments live a ‘second life’ within my artworks.”
Chloe Moreton (b. 1991) lives and works in London. She has exhibited widely within the UK. She was artist in residence at Row Gallery between 2015-2016.
“I’m interested in patterns. I observe patterns that cross cultures, climates, geographical locations, time zones and even generations.”
Kim Okana
Kim Okana is a watercolour artist known for her use of natural pigments and bold mark-making. The ideas for her abstract paintings stem from meticulous observational drawings made of fauna and flora, buildings, and people.
Taking reality as her starting point, Okana seeks to capture the ‘essence of sensorial experience’ in her works. Sights, smells, sounds and tastes are all recorded through drawing and note-taking, which the artist then translates into large-scale paintings. She produces her own paint using pigments foraged on location, making us question where the physical experience ends and the artwork begins.
Born in 1976, Okana grew up in Tokyo and studied in New York before moving to England. She spent 20 years working as a print designer for textiles before launching her art career in 2016. She has exhibited both within the UK and internationally.
"Our work is all about pushing, crossing and breaking down boundaries.”
Maxime Albers
Laurie Alexander and Maxime Albers have worked together as an artist duo since 2012. Experimental in their approach, Alexander & Albers produce artworks that combine printmaking, painting and performance.
Their creative approach is deliberately Avant-Garde. “We do not call ourselves printmakers nor painters” explain Alexander & Albers. “We do not even call ourselves artists. If you put a label on yourself, people know what to expect. With our work, we always want people to expect the unexpected.”
Laurie Alexander (b. 1993) and Maxime Albers (b. 1994) met in Paris and are based in Hastings, UK. They have featured in multiple group exhibitions and have had two solo shows within the UK.
"I use my practice to bring order to the chaos of everyday life; energy and motion are made visible, my memories are arrested in space."
Joseph Owen
Inspired by a diverse array of source material, Joseph Owen’s large-scale acrylic paintings are studies into colour, movement and rhythm. His bold, layered arrangements, reminiscent of Pop Art, offer multiple focal points and keep the eye in constant motion.
His abstracted depictions of everyday scenes have, as he puts it, ‘a rushed and frantic energy’, yet they exude an extraordinarily rich sense of depth and confidence. ‘When I paint, I’m never quite sure what the outcome will be’, says Owen, ‘in that way, the painting becomes a documentation of my process, mistakes and all.”
Joseph Owen (b. 1982) lives and works in Kent, UK. He has exhibited widely within the UK and internationally. He was artist in residence at Row Gallery between 2012-2013.